Oharano Studio is an artist-run studio and residency space located in Oharano, a rural area in southwest Kyoto. The studio operates at the intersection of contemporary artistic practice, everyday rural life, and long-standing local traditions.
Oharano Studio has hosted and supported a wide range of practices, including performance art, sound and music art, sculpture, and site-responsive work. Activities often extend beyond the studio itself, through collaborations with nearby Buddhist temples, local farmers, artists, and independent studios. These relationships are not symbolic partnerships, but part of daily life in the area, shaped by trust, repetition, and shared time rather than formal programming.
This is not a cultural showcase or a guided experience of the city’s tourist routes. Instead, the residency offers artists a chance to encounter Japan through lived rhythms: farming schedules, temple calendars, seasonal labor, weather, silence, and conversation. Art here is not separated from life, but rather happens alongside it.
For international artists, Oharano Studio provides access to a Japan that is rarely visible online, one where contemporary art coexists naturally with spiritual practices, agricultural work, and small-scale local economies. The countryside setting is not treated as an aesthetic backdrop, but as an active collaborator, sometimes generous, sometimes demanding, always present.
Ohara no Studio welcomes artists who are curious about place-based practice, community exchange, and slower modes of working, and who value depth of experience over visibility. The studio is especially suited to artists who see research, listening, and presence as integral parts of their practice.

The residency at Ohara no Studio is a self-directed, research- and production-oriented stay designed for artists who appreciate autonomy and simplicity. Residents are invited to develop their own practice while living close to the land and the local community.
There are no predetermined production requirements, allowing artists to focus on research, experimentation, or slower forms of making. At the same time, Oharano Studio actively welcomes the possibility of public moments, such as exhibitions, performances, workshops, or informal gatherings, when these align with the artist’s interests, needs, or the natural outcomes of their research. Such events are developed collaboratively and in response to the context, rather than imposed as obligations.

The residency is particularly suitable for artists interested in:
- Rural, ecological, and place-based practices
- Process-oriented research in sound, performance, sculpture, or material work
- Working in dialogue with Buddhist spaces, agriculture, and seasonal rhythms
- Slow modes of making that are grounded in listening, observation, and presence
- Collaborative possibilities that emerge from everyday life rather than formal programming