Artist in Residence Programmes in Spain: a short introduction

Artist in Residence Programmes in Spain: a short introduction

Marta Gracia

In this article I will briefly introduce artist in residence programmes in Spain and present them from a historical point of view, taking as a starting point some of the models existing nowadays.

To begin with, what do we mean by artist in residence programmes?

Artist in residence programmes are those programmes which involve the temporary immersion of an artist in a new work space or environment, usually as part of a larger art project. Often the participation of the artists in these programmes implies that they have to travel from the place where they usually live and work to experience living in close proximity to other artists with whom they can exchange ideas.

When did artist in residence programmes begin in Spain?

Casa de Velázquez is currently the oldest artist in residence programme in Spain. It was established in 1920 in Madrid and is run by the French Education Ministry. It was built with similar goals to the French Academy in Rome, which itself was founded in 1666 to host the winning French artists of the Prize of Rome, which was a five year residency in the Italian city which allowed artists to see and study the classical masters from life.

Art communities and alternative spaces supporting art training and production

Apart from the unique case of Casa de Velázquez, most of the artist in residence programmes currently in operation were conceived at the end of the 1980s and during the mid-1990s, at the same time as a new wave of these programmes was starting to appear in Europe. During this period, two main types of programmes were set up in Spain.The first is set in a rural environment and follows the European and American models for AIR programmes from the second half of nineteenth century and the start of the twentieth. They are residencies established by art colonies (eg: Can Serrat, CAN de Farrera) or developed under the patronage of rich artists (eg: Fundación Valparaíso). These initiatives were typically devised by north Europeans who had come to live in Spain and are mainly focused on hosting international artists.The second type of programme is developed in an urban environment and is mainly aimed at local artists. These residencies are usually based on the temporary use of studios and are typically part of a larger art training and production project (eg: Arteleku, Bilbaoarte, Hangar). In these cases, the international dimension is usually handled through exchange programmes with other centers or spaces outside of Spain. In contrast with the rural AIRs, the idea of an art community in urban programmes is not based on life togother but in the fact of sharing a working space with other artists.

Laboratories and alternative exhibition circuits

Now, at the start of the 21st century, we are witnessing a mushrooming of new artist in residence programmes in Spain. In addition to some of the reasons that prompted the creation of the AIRs during the 1990s (the lack of affordable working spaces for artists in big cities; the institutionalisation of the idea of art as a tool for social mediation and heritage; the phenomenon of globalisation and intercultural exchange; the increase of international mobility, etc), the concepts of art research and the idea of the artist as a researcher have now become common ideas. The new AIR programmes are conceived as interdisciplinary professional spaces (eg: CACIS, Laboral, Artechmedia) where artists have the possibility of developing and experimenting with new processes without the pressure of showing the results within the context of a conventional exhibition space (eg: Casamarles, Nau Coclea). In this way, AIR programmes have become vital as promoters of alternative exhibition circuits outside of the traditional art institutions (eg: Homesession).


Marta Gracia is the author of the research project Spanish Artist in Residence programmes: an overview, granted by the Catalan Arts Council in 2009, and the co-director of Art Motile. www.artmotile.org


The database of the research project is available here

TransArtists would like to thank Marta Gracia for kindly sharing her research.


Map of a selection of AiR in Spain

(presented by Art Motile during the Trans Artists Workshop in Amsterdam, June 24, 2011)

 

1 – Casa Velázquez (Madrid) www.casadevelazquez.org

2 – Macba (Barcelona) www.macba.cat/controller.php

3 – Laboral (Gijón) www.laboralcentrodearte.org/es/front-page

4 – Bilbaoarte (Bilbao) www.bilbaoarte.org/cms/

5 – Centre d'Art La Rectoria (Sant Pere Vilamajor) www.centreartrectoria.org

6 – Homesession (Barcelona) www.homesession.org

7 – Matadero (Madrid) www.mataderomadrid.org

8 – Hangar (Barcelona) www.hangar.org

9 – Halfhouse (Barcelona) www.halfhouse.org

10 –Can Farrera (Farrera) www.farreracan.cat

11 – Cacis (Calders) www.cacis.cat

12 – Cal Gras(Avinyó) www.calgras.cat

13 – Centre cultural Andraxt(Andraxt, Mallorca) www.ccandratx.com/en/c1/home.html

14 –Fundación Inspirarte (Sueca) www.fundacioninspirarte.org

15 – Valparaiso (Mojácar) vparaiso@futurnet.es

16 – Nau Coclea (Camallera) www.naucoclea.com

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